Finished a good part of analysis and figure for Thresh-LP invariance (WIP).
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30
main.tex
30
main.tex
@@ -624,18 +624,24 @@ the signal for reliable song recognition.
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\centering
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\includegraphics[width=\textwidth]{figures/fig_invariance_log_hp.pdf}
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\caption{\textbf{Intensity invariance by logarithmic compression and
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adaptation.}
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\textbf{a}:~Synthetic envelopes resulting from the
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mixture of song component $\soc(t)$ with scale $\sca$ and
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noise component $\noc(t)$ with fixed scale.
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\textbf{b}:~Corresponding logarithmically scaled envelopes.
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\textbf{c}:~Corresponding intensity-adapted envelopes.
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\textbf{d}:~Absolute SNRs of each representation relative
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to the representation without song component ($\sca=0$).
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\textbf{e}:~Same SNRs as in \textbf{d} but normalized to
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the maximum SNR for each representation.
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\textbf{f}:~Relative amplification of normalized SNRs
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relative to the normalized SNRs of the initial envelope.
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adaptation is restricted by the noise floor.}
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Synthetic envelope $\env(t)$ is transformed into
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logarihmically compressed envelope $\db(t)$ and further
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into intensity-adapted envelope $\adapt(t)$. Indicated
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time scale is $5\,$s for both \textbf{a} and \textbf{b}
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(black bars).
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\textbf{a}:~Ideally, if $\env(t)$ consists only of song
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component $\soc(t)$ rescaled by $\sca$, then $\adapt(t)$
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is fully intensity-invariant across all $\sca$.
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\textbf{b}:~In practice, $\env(t)$ also contains
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fixed-scale noise component $\noc(t)$, which limits the
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effective intensity invariance of $\adapt(t)$ to
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sufficiently large $\sca$.
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\textbf{c}:~Ratios of the SD of each representation in
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\textbf{b} at a given $\sca$ relative to the SD of the
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representation for $\sca=0$ (solid lines). The same ratios
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for the ideal $\adapt(t)$ in \textbf{a} are shown for
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comparison (dashed line).
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}
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\label{fig:inv_log-hp}
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\end{figure}
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